Art Class Projects

When I realized that in my life I can count on one hand the number of art classes that I have taken, I set out to remedy this.  So, this semester I am taking a Mastering Color class at Art Center, a Mastering Composition class also at Art Center and an oil painting class at Pasadena City College.  I am learning how to paint with acrylics and oil paints along with other color and composition basics.  Here are the six assignments from the color class.  First, create a motif, then paint in a 6-step grayscale; then another 6-step grayscale.  Third, paint the motif with all the 24 colors of the color wheel, then an analogous color scheme, a split complementary color scheme and finally paint the motif with many colors all the same value.

 

The oil painting class has been more difficult but its been good.  There is so much to learn but what I like best is that I can blend (I call it smushing) the colors together.  Here is the picture from that class.  I am happy to report that the scene is recognizable as mountains and water.  I’ve decided to repeat the class because I’m sure I have much more to learn.

Finally, last night I watched a documentary on Clifford Still, an abstract expressionist.  It was very timely for me because they talked a lot about the artistic process and what abstract expressionism means.  I learned a lot from the documentary.

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Angles in Color

In my second to last post I showed the gray scale piece with triangles.

Then I attempted to do the same piece in color.  I realized very quickly that I would probably need to make a template of the original in order to get my pieces in the right place and size.

But not to be deterred, I dove right in on a piece with triangles and in color.

This was a very difficult composition to piece together.  I believe I lost sight of some of my figures because of this.  In my next piece I would like to incorporate more cool/dull colors to add richness and try to pay more attention to the figure and ground.  This is a very energetic piece and I think that adding some calmer colors would be more pleasing to the eye.  That said, this piece is growing on me!

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This and That

There is lots going on!  Next week two of my pieces will be displayed at the City of Brea Gallery in their annual Made in California exhibit.  The two pieces are Angle of Incline and Aerial Reconnaissance (see my web page for pictures).  I was pleased that both of the pieces that I submitted were accepted.  The juror for the show is an assistant curator at MOCA-Los Angeles.  I will be at the opening next Saturday night.

Another two of my pieces are currently being displayed at the Glendale Quilt Show.  One, Rainbow Parfait, is on my website and is made entirely of pastel colors.  As I mentioned in an earlier blog, I used pastels in this quilt as a challenge to myself.  My favorite comment about this quilt is that people are very surprised that I even knew how to use pastels.  Yea! people are beginning to recognize my use of bold/strong colors in my work as evidenced by their surprise with my use of pastels.

The other piece, “Ribbons of Color” has not yet been photographed but will be on my website in the near future.  I was at the show yesterday and had just rounded the corner to see this quilt and just in time to hear a woman say, “how bizarre” about my quilt.  I am still chuckling over that one.  Little does she know that I liked her comment!  Not every one will understand or even like my artistic style but I am finding  that the more I am being true to my vision, the less these kinds of comments affect me because I know that in my heart of hearts I am striving for honesty within myself and how the colors/shapes speak to me.  If can make progress toward that end I feel I am actively participating in my artistic journey.  Of course, having someone understand the piece and like it, too, is the ultimate compliment.   But, that said, having a quilt that someone feels is bizarre is just so damn cool.

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More Angles

One of the benefits and, dare I say, pitfalls of having one’s work displayed in a gallery is that it might be sold.  It is a gratifying experience but, alas!, somewhat sad.  There are two reasons for this:  1) the piece will no longer be in my collection and 2) at this point in my journey I do not have a large body of work and so when a piece gets sold, I’ve got to get crackin to replace it!  I’m so fortunate that these are my troubles to overcome!

Next week I will be delivering two more pieces to the City of Brea Art Gallery for their Made in California exhibit (yes, you heard correctly:  I have TWO pieces in the show!!!!).   But herein lies the rub:  I need to get work on some new pieces!  So with that in mind, here is my second on the angles series:

Grayscale for Angles #2

I skipped the black and white sketch and purposefully went to the grayscale.  I am encouraged with the piece thus far.  One of my concerns, however, is 1) there are not very many linear elements; 2) I need to be careful that the shapes don’t all end up the same size; and 3) the top edges fall off into space.  However, I really excited about putting this into color!  I just need to decide which colors.

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Ribbons of Color

Is it really February already?  Yikes!  It seems as if I have already packed one year into the month of January.  Here’s what I mean:  I sold Structure #1 which was displayed at Visions Art Museum in San Diego (yeah!); I sold Recycled #1 (yeah!); I’m taking a color and composition class at Art Center (!); and I’m taking my first oil painting class.  In addition, I’m continuing on with my color studies and I am really happy that I can see progress (forgive the photo quality; operator error).  Here is January’s composition:

Structures #2  Once again, I went back to Nancy Crow’s original strip-piecing and restructuring instructions and re-worked the assignments from the beginning. I have to laugh because when I re-read the assignments I found that my original strip sets weren’t even close to the assignment given!

For this quilt, I chose a simpler composition (strip sets) so I could focus more specifically on color.  This time I focused more on placement of each color with the adjacent colors.  I also tried to stretch the range of values; combining very light, medium and very dark values.  I’m learning that a composition doesn’t necessarily need very much of the very light or very dark values; it little goes a long way.  I was also trying to do a better job of incorporating warm and cool values.  I need more work on this.  But, all in all, I can see progress and I’m glad.

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