Ribbons of Color

Is it really February already?  Yikes!  It seems as if I have already packed one year into the month of January.  Here’s what I mean:  I sold Structure #1 which was displayed at Visions Art Museum in San Diego (yeah!); I sold Recycled #1 (yeah!); I’m taking a color and composition class at Art Center (!); and I’m taking my first oil painting class.  In addition, I’m continuing on with my color studies and I am really happy that I can see progress (forgive the photo quality; operator error).  Here is January’s composition:

Structures #2  Once again, I went back to Nancy Crow’s original strip-piecing and restructuring instructions and re-worked the assignments from the beginning. I have to laugh because when I re-read the assignments I found that my original strip sets weren’t even close to the assignment given!

For this quilt, I chose a simpler composition (strip sets) so I could focus more specifically on color.  This time I focused more on placement of each color with the adjacent colors.  I also tried to stretch the range of values; combining very light, medium and very dark values.  I’m learning that a composition doesn’t necessarily need very much of the very light or very dark values; it little goes a long way.  I was also trying to do a better job of incorporating warm and cool values.  I need more work on this.  But, all in all, I can see progress and I’m glad.

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Happy New Year!

Can it really be 2012 already?  I don’t know about you but my life seems to be passing by faster than the speed of light!  It’s a new year and it is full of promise and progress.  I am looking forward to a wonderful new year.  I have posted the pastel piece on my contemporary art page (you can’t miss it — it is made of pastel colors).  I really like the colors in this piece and I never in a million years would have guessed that I could like pastel colors.  It was a really good exercise for me.  Not only working with light values but also learning to distinguish subtle value differences.  I previously would have characterized pastels as muted, quiet colors.  However, in person this piece is quite vibrant.  Thanks go to my teacher for encouraging me to work on a composition solely consisting of light and light medium colors.

The other news of the day is that my work, Structure#1 which was displayed at Visions Art Museum in San Diego has been sold!!!  This is wonderful news but I have to confess I did feel some sadness that it is no longer in my possession (well for a few minutes at least!).

And, last night was my first class at Art Center.  I was somewhat nervous having never taken an art course before but I really like the class and I think it is going to be fabulous experience for me.

 

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Defining Moments

As 2011 wraps up, I find myself once again reviewing the year and looking forward to the new year.  It’s my time to review last year’s goals and to set new ones.  One of the blogs I visit (www.ArtBizCoach.com) has tips for developing a successful art career.  Last week’s tip was to look back over the year to see one’s progress.  I just finished looking at last year’s blogs and I am so pleasantly surprised by what I have accomplished!

My first project was to develop a better line/shape relationship in my compositions.  I looked at my first piece a blue composition and then my latest and they are very different!  After 30 or more small compositions I finally figured out how to create tension with lines and spaces.  Yea!  In fact, the difference is so stark, my teacher wanted to know if I had a twin sister :-)

This work led to my piece, Angle of Incline.  It was in this piece that I was able to take what I had learned from the line studies and use it to create tension and interest.

My next goal was to work with color.  I have been so immersed in the earth pallette for so long it has taken some doing to create a brighter, richer pallette.  I am pleased to say that looking at the colors in my new compositions makes me smile.    (the purple piece is an example)

 

 

  I also started to work with curvilinear motifs but this work is still in its infancy and I’m currently working on a composition that is strictly limited to light and light medium values (pastels).  I have always said that life is too short for pastels but I can see now how important their role is in creating rich vibrant color.

So what are my goals for 2012?  First, I will continue with last year’s goals:  read one book per month; visit at least one museum per month; enter juried shows; and most importantly, develop a body of work.  I think last year’s goal of one piece per month is a good one and I will continue with that.  I am taking several art classes this year: two classes on color theory and an oil painting class.  I also want to take a drawing class to help develop the muscles in my hands.

Finally, I am so gratified by the progress I have made in becoming an artist.  I reread my blogs in early 2011 about my doubts and angst about being an artist.  From the work I have done this year (thanks in large part to Brian Tracy’s book, “Maximum Achievement”) I can say with confidence I am an artist and I look foward to creating new work.  For me, today, being an artist means being bold and vulnerable.  Happy New Year!

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Small Quilt Challenge

The small quilt challenge this year is to take a block, deconstruct it and then put it back together any way you can.  This is the original block taken from a larger quilt.  Each participant in the challenge received a similar block.  The quilt was vintage 70s fabric (maybe even sheets!) and to be nice, really hard to look at!

Here is my rendition:  The green, and pink fabrics are from the original block; I added the beige in the center star and the brown.  Although the challenge was to take the fabrics and make something else, I found that I was more curious to find out what the block was supposed to look like so I made templates and here it is.  I call it Spumoni.

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Notan

Notan is a Japanese word meaning dark-light.  In composition, it focuses on the interaction between positive and negative space and recognizes the separate but equally important identity of both a shape (black) and its background (white).  When I first started assembling black and white compositions, I was not very successful in creating a good interaction (see the second photo).

  After many compositions, I started to realize that I really needed to pay to attention to the interaction of the black line with the white background and also to the white line with the black background.   In my beginning compositions, I did not have many lines only shapes and the result is a fairly boring composition.  My latest piece is getting better (the first photo).

There is a good book about the dark-light principle:  Notan, The Dark-Light Principle by Dorr Bothwell and Marlys Mayfield.  It has some good exercises using construction paper.

 

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