Planes, Boats and Buses

Our long awaited trip has finally arrived!  We will be leaving Saturday for the Baltics where we will visit Stockholm, Helsinki, St. Petersburg and the Hermitage, Talinn, Riga and Copenhagen.  See you when I return!

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Value, revisited

I want to thank my friends for their input on my angles piece.  It is so helpful to have another pair of eyes to critique one’s piece because, as I am finding, it is all too easy to fall in love with certain parts of the piece only to then ignore parts that may need help.  The part that needed help:  the very bossy yellow shape right smack dab in the middle of the composition.  Once it was pointed out to me, it was so obvious!  So with the help of Jack (the ripper), I made some adjustments.  The revision is on the left and the previous version is on the right:

Birds of Paradise  I am much happier with the new version.  I did mention to the instructor that when all was said and done it felt like I had a lot of saturated color and I needed to introduce some less saturated colors but because of the large shapes I was having trouble figuring out how to add in more cool colors.  His suggestion was to make the background color (the violet) less saturated.  I have since auditioned some very dull dark violets and I can see that this would help immensely in toning down the other colors.  So, next assignment???  Why a composition with a dull background, of course!  The instructor did say he could see the different values and he liked the use of overlap to create dimension.  (Yea!)

Even though this piece was difficult to sew together, it still feels very simple and maybe too easy to look at.  However, I really feel that I needed to see how the layers looked (albeit in a simpler format) before I could move on to a more complicated fore, middle and back ground composition.

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It’s all about Value!

As part of the final for my composition class, we were asked to create a piece incorporating the elements and principles of design we learned in class.  We could create the composition in the medium that we normally worked in.  Since the class was tailored for illustrators and graphic designers most of the class will be preparing their finals using digital media.  There are a few of us artists that will work in our medium (i.e., textiles).  I prepared my first piece (see the previous post three weeks ago) and brought it to the instructor for comments.  He said there was not enough value differentiation.  I agreed with him and I remember when I was selecting colors I found it easy to shy away from the very light and very dark values.  I wanted to play it safe.  So back to the drawing table! 

For the first time I paid strict attention to the value of the different shapes and also to their placement is the fore, middle and back grounds.  I also paid more attention to creating figures with the different colors.  For my first effort I unfortunately slipped back into the dead earth pallette color zone and the piece was so dull.  However, because I did pay attention to the values I was able to successfully create depth in the piece.  (Yea!)  Now, armed with the visual for the creation of depth, I set out to use better colors.  This was not easy!  When using the earth pallette there are no saturated colors that mess with your mind so it is much easier to see value.  When I went to the brighter pallette I had a very difficult time seeing value because there are so many colors that are highly saturated and these bright colors occupy the mid range of values.  Three pieces later I was finally able to put together a pallette that was energetic (my original goal) and also has a good amount of depth.  I never thought I was going to get here.  But here it is:

 

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School Days and Nights

As you know, I have been taking several classes in an effort to improve my artistic skills.  I have thoroughly enjoyed the color and composition class.  The class is tailored for graphic designers but many of the principles are the same and the instructor has made an effort to include artists as well.  Much of the information I learned already from classes with Nancy Crow but it has been good to get a different perspective.  The main focus of the class is on how to use color and the principles of composition to communicate with the viewer.  This has given me much to think about when I start a new composition.  Last week’s piece did incorporate some of the color information and also making the decision on what I want the message to the viewer to be before I start.  (Hint:  I was in an edgy, prickly mood when I started; could you tell???)

My other class is oil painting.  This is a difficult class for me.  I have not yet developed the skills necessary to translate information in my brain to the canvas.  It is uncomfortable but I feel that this skill is necessary for the textile compositions because I am learning spatial visualization.  I am also learning to really look and examine very closely the image I have chosen to recreate.  This requires more mindfulness that I would have thought.  It also requires a fair amount of identifying the most important parts of the image and not getting bogged down in the details.  It feels like I’m learning to ride a bicycle all over again.  I just have to keep getting back up and trying again.  I have re-signed up for the class and I’m hopeful that the process will become easier.  Today, however, I’m giving myself high marks for sticking with it.   After all it is a lot fun smushing the paint together on the canvas.

 

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Angles in Color

Several weeks ago I posted a gray scale image of triangles.  Using photoshop elements I made a line drawing of that image.  I made several copies and colored in the blanks to audition different color schemes.  In my color class the instructor is always asking us to decide what message we want to communicate and then choose a color scheme that cooincides with the message.  I have to confess deciding on a theme is more difficult than it would at first appear.  Since the angles are somewhat edgy and very dynamic I thought my theme would be edgy.  Here is the piece:

 

Crown of Thorns

This piece is not as large as the original gray scale piece.  I took the uncolored line drawing to the copy shop and had it enlarged to what I thought would be the right size.  It was too small but I used it anyway to develop templates (to make piecing easier and more precise).  I also had a larger copy made that I will develop in the future.  I believe the color scheme would be identified as analogous (orange/yellow/green).

I’ve been auditioning quilting motifs in my mind but I’m still working on that.  I want black thread on the black background and corresponding colored threads in the colors but doing this will be somewhat of a challenge.

 

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